Vanitha and Vijay share a close friendship since childhood and photos of Vijay bonding with Vanitha and her son Vijay Sri Hari when he was a little boy have gone viral. Vanitha has tweeted "I still remember how many times I used to ask to sing malare mounama song to me.he used to give me a nasty look coz I bugged him so much but sweetly sang it for me.memories #SPBalasubrahmanyam" His last rites were held at his Thamaraipakkam farmhouse where celebrities including Thalapathy Vijay and thousands of fans paid homage.Īctress and Television personality Vanitha Vijayakumar has recalled how she used to force Thalapathy Vijay to sing an SPB song when they shot together for her debut film 'Chandralekha'. Balasubrahmanyam passed away on Saturday the 25th of September after battling COVID 19 induced lung disease for close to two months. Overall a Soulful melody with a new sound.Legendary singer S.P. Like in Tamil, parents will please the kids by saying like “en chellam dee ne, en thangam dee nee, en vairam dee nee”, in the similar way Vairamuthu has written some thoughtful lyrics with each and every line contradicting the previous line. The situation is like parents consoling their adopted child as is restless on hearing shocking news that she is an adopted child and they are not her genetic ancestors. He has sung this song effortlessly and the shift in pitch of the voice in each and every line is spontaneous without compromising the expressions in the voice. On the other side, Jayachandran’s golden voice is refreshing. Her solo alap in the middle is very difficult to reproduce for a lay and the note of this bit is awesome. She excels in giving different expressive notes to the word “Nee” wherever the line ends with the word “Nee”. The way the chorus chant of the title “Kaanathil muthamittal” in which there is a strange twist in the note in between the word “Muthamittal” is excellent and typical Rahman way of composition.Ĭhinmayee with a strong formal education in hindustani music has extremely sung well a tough song with elegance. Apart from all these I feel the hidden soul of the song is mild violin orchestration that plays in the background all through the song, which emotes the situation well. The mild pad beat that plays when all the layers fade in and fade out at the beginning and at the end is same as the rhythmic bell sound that we heard in “Bombay theme”. This is how he creates a new sound by programming new patterns and loops in the keyboard. The basic keyboard rhythm floating in the background is something never heard before and it is captivating. With a single keyboard and mild pad beats he has given a haunting melody. In this song, there is no typical usage of flute, guitar, veena, and grand violin orchestration in the interludes, which has become the inevitable instruments to be used in any melody. Rahman always tries different sounds in melodies too.
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January 2023
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